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Milwaukee Repertory Theater Newsletter

FOR IMMEDIATE RELEASE

CONTACT: Cindy Moran, Public Relations Director. 414-224-1761

August 23, 2007

Soaring story of passion, honor and romance
open’s Rep’s 2007/08 season

CYRANO DE BERGERAC

By Edmond Rostand
Translated by Brian Hooker

Adapted and Directed by Sanford Robbins

Made possible in part by the generous support of:
The Lynde and Harry Bradley Foundation


Quadracci Powerhouse Theater
Previews: September 5 & 6, 2007 Opens: September 7, 2007 Closes: October 7, 2007


What is this thing called love? For over a century this soaring story of passion, honor, romance and the heartbreak of unrequited love has celebrated the optimism and resilience of the human spirit like no other. Tickets can be purchased in person at The Rep Ticket Office at 108 East Wells Street, or by telephone at 414-224-9490. Tickets can also be purchased online 24/7 at milwaukeerep.com.

Set in 1640 in the romantic city of Paris, CYRANO DE BERGERAC tells the passionate story of the gifted swordsman and charismatic poet, Cyrano de Bergerac and his secret love for the beautiful Roxane. Unfortunately, Cyrano was born with an enormous nose and he believes he cannot be loved for who he is. He feels he is too ugly to win Roxane’s affections.

One night at the Hotel Bourgogne, Cyrano gets in an argument with an actor that turns into an onstage duel in which he gallantly wins. The victory causes a sensation in the crowd, especially in Roxane who arranges to meet Cyrano the next day. The two meet at a pastry shop where Roxane divulges to Cyrano that she has fallen in love with Christian, a handsome nobleman, who will soon be joining Cyrano’s company of guards, the Cadets of Gascoyne. Roxane asks Cyrano to look after Christian. Despite Christian’s initial rudeness, Cyrano stays true to his promise to Roxane and tells Christian of her love for him. Christian’s excitement lasts briefly until he realizes his inability for poetic expression.

Cyrano offers to help by forging a letter to Roxane from Christian. This deception continues when Cyrano disguises his voice as Christian’s while under Roxane’s window one night, wooing her with his poetry. Roxane, unaware of the deception, secretly marries Christian. De Guiche, another one of Roxane’s admirers, finds out about this marriage and sends the Cadets of Gascoyne to the front lines of the war in Spain.

During the war, Cyrano writes to Roxane every day under the guise of Christian. Christian realizes Cyrano’s love for Roxane and encourages him to tell her the truth so that she can pick between the two of them. Roxane arrives at the frontlines, but before Cyrano can tell her the truth, Christian is killed, leaving her one last letter.

Fifteen years later, the ever-mourning Roxane lives in a convent where Cyrano visits her every Saturday. On his way to the convent one Saturday, Cyrano receives a head injury. Nearing the end of the play and his life, Cyrano asks to read Christian’s last letter out loud to Roxane. She allows him to, suddenly realizing that it was Cyrano who wrote all the letters and thus he is the man she has been in love with all these years.

Playwright Edmond Rostand (1868 – 1918) was a 19th century French poet and writer born into an affluent and cultured family in Marseille. He studied literature, history and philosophy at the Collège Stanislas in Paris and also published poems and essays in the literary review Mireille. His first book of poems, Les Musardises was published in 1890. Rostand’s first successful play, LES ROMANESQUES (1894,THE ROMANTICS/THE FANTASTICKS), was produced at the Comédie Française and was based on Shakespeare’s ROMEO AND JULIET. His next and great success came at the age of 29 when Rostand introduced his most admired and long-lasting play about a heroic individualist with an enormous nose called CYRANO DE BERGERAC. L'AIGLON (1900), a tragedy based on the life of Napoleon's son, the Duke of Reichstadt, was also regarded as a work of art. Rostand was able to revive the old romantic drama through these masterpieces. Even with the naturalist movement in full force, Rostand’s CYRANO DE BERGERAC was able to invoke enthusiasm and sadness in the audience. At the turn of the new century in 1901, Rostand was elected to the Académie Française. He found exposure to fame difficult to deal with and also suffered from bad health. Rostand retreated to his family's country estate at Cambon. There he continued to write plays and poetry. His ensuing works did not grant him the same recognition as he experienced earlier in his life, but CYRANO DE BERGERAC continues to be widely produced around the world.

Director Sanford Robbins is currently the Director of the Professional Theatre Training Program (PTTP), which is recognized as one of the top ten dramatic education programs in the country. He founded PTTP at University Wisconsin-Milwaukee and has since relocated to the University of Delaware where he is chair of the Department of Theatre. His previous productions for Milwaukee Repertory Theater include THE VOYSEY INHERITANCE, BAD DATES, TRUE WEST, A CHRISTMAS CAROL, STARK MAD IN WHITE SATIN and THE BIRTHDAY PARTY. He has directed for a wide variety of theaters including the Oregon Shakespeare Festival, Alley Theatre, American Players Theatre, Indiana Repertory Theatre and the Utah Shakespearean Festival. Sandy directed the international premieres of several Sam Shepard plays, including BURIED CHILD at both the Moscow Arts Theatre Studio and the National Theatre of Cyprus. His production of Shepard’s THE TOOTH OF CRIME at Finland’s Kuopio Theatre received the Thalia Award for Best Production in Finland, an award won the previous year by Ingmar Bergman.

In contemplating what continues to make this play so compelling even to modern audiences, director Sanford Robbin’s recently wrote, “CYRANO’s continuing popularity is due in large part to its supreme theatricality – a quality I cherish (can you imagine a doctor being criticized for being too medical or a musician for being too musical?). The theater itself is central to CYRANO DE BERGERAC – it is very much a play about performing, and about great virtuosity of gesture and language. CYRANO begins in a theater, with a theatrical performance at the Hotel de Bourgogne, where the first act is set; an act that includes Cyrano outperforming the actor Montfleury. Throughout the play Cyrano proves himself a far greater actor than any in that first act’s play-within-the-play and his final exit is, like his entrance, filled with style, wit and . . . panache.”

Included in the cast for CYRANO DE BERGERAC are Resident Acting Company Members: Jonathon Gillard Daly (Le Bret); Lee E. Ernst (Cyrano de Bergerac/Fight Choreographer); Torrey Hanson (Ragueneau); Gerard Neugent (Porter/Montfleury/Musketeer/Cadet/Reporter); Rose Pickering (Duenna); Peter Silbert (Ligniere/Capuchin/Cadet) and Brian Vaughn (Viscount de Valvert/Citizen/Poet/Cadet).

In addition, joining the cast are Guest Actors: Flora Coker (Countess Bellerose/Citizen/Baker/ Mother Marguerite); Steven Hauck (Count Antoine de Guiche); Cameron Knight (Pickpocket/ Actor/Poet/Cadet); André Martin (Christian de Neuvillette); Erin Partin (Roxane) and Benjamin Reigel (Cuigy/Cadet).

Members of The Rep’s 2007/08 Artistic Intern Company that will appear in this production are: Mishelle Apalategui (Child/Actor/Baker/Servant/Nun); Jacquie Beyer (Citizen/Baker/ Cadet/Servant/Nun); Kelsey Brennan (Child/Actor/Servant/Nun); Devin Collins (Gentleman/ Poet/Cadet/Nun); Jonathon Dickson (Marquis/Baker/Nobleman); Donte Fitzgerald (Jodelet/ Poet/Cadet); Emily Tate Frank (Citizen/Baker/Cadet/Nun); Carly Germany (Citizen/Lise/Cadet/ Servant/Nun); Jonathan Hicks (Meddler/Citizen/Poet/Cadet/Nun); Aaron Jewell (Cavalier/ Citizen/Poet/Cadet/Nun); Sean Kazarian (Hotel Employee/Actor/Baker/Cadet); Kevin Pitman (Brissaille/Cadet); Savannah Seilheimer (Orange Girl/Baker/Cadet/Servant/Nun); Joshua Willis (Hotel Employee/Marquis/Citizen/Baker/Cadet/Nun) and Shelley Wilson (Musketeer/Citizen/ Poet/Cadet).

(To learn more about our Resident Acting Company, Guest Actors or our Intern Company, please visit milwaukeerep.com).

The Production/Design team for CYRANO DE BERGERAC includes Linda Buchanan (Scenic Designer); Mathew LeFebvre (Costume Designer); Thomas C. Hase (Lighting Designer); Ray Nardelli (Sound Designer); Leslie Bisno (Original score); John Tanner (Music); Kristin Crouch (Literary Director); Briana J. Fahey (Stage Manager), Amanda Weener (Assistant Stage Manager) and Ian Frank (Assistant Director).

Tickets to CYRANO DE BERGERAC range in price from $9.00 – $56.00. Students and senior citizens may purchase half-price RUSH TICKETS with proper identification 60 minutes before curtain time for all Quadracci Powerhouse performances at The Rep Ticket Office. For more information or to charge tickets, call 414-224-9490. Tickets can be purchased online 24/7 at milwaukeerep.com. For group sales of 20 or more, call The Rep Ticket Office at 414-224-9490.

Special Events for CYRANO DE BERGERAC

• Join us for The Rep in Depth, which begins 45 minutes before curtain time before every performance in the Quadracci Powerhouse Theater. This Rep in Depth will be led by Rep Resident Acting Company Member Torrey Hanson.

• On Thursday, September 6 and Tuesday October 2 at 7:30 p.m. there will be an Audio Described Performance for patrons who are blind or have low vision.

• A performance interpreted in American Sign Language is scheduled for Thursday October 4 at 7:30 p.m.

Captioned Theater will take place on Sunday, October 7 at 2:00 p.m. Lines from the script running concurrently with the actors’ lines will be projected on the house left wall of the theater. This is a perfect way for patrons who are deaf or hard of hearing to enjoy the performance.

• A Theater Thursday event will be held on Thursday, September 13 beginning at 5:45 p.m. Theater Thursdays are held on the second Thursday of each Quadracci Powerhouse performance and include a pre-show reception with complimentary appetizers from a downtown restaurant. This is a subscription-only event, but a limited number of additional guests can attend, based on availability. Cost for the event is $5.00 per person at the door. (Patrons must purchase theater tickets separately.) For more information on Theater Thursdays, please contact Kristy Studinski at kstudinski@milwaukeerep.com or 414-290-0710.

• In conjunction with The Rep’s production of CYRANO DE BERGERAC, Coquette Café is offering a special menu. For $30.00 diners can enjoy: Potato, Bacon and Red Wine Onion Tart with Goat Cheese; Sweet Garlic Crusted Salmon; Spinach and Cassoulet Beans; Caramelized Apple and Prune Croustade, Armagnac Sauce. For more information about this special offer, please call Café Coquette at 414-291-2655. They are located at 316 N. Milwaukee Street, in Milwaukee’s Third Ward. Complementary Parking is behind the Landmark Building after 5 pm every day. Hours: Monday – Thursday 11 am – 10 pm, Friday 11 am – 11 pm and Saturday 5 pm – 11 pm.

Open to the public before and after all evening performances, Milwaukee Repertory Theater’s Stackner Cabaret, located on the second floor of the Milwaukee Center, is our own full-service, smoke-free bar and restaurant. Featuring delicious dinners, as well as late night cocktails, coffee, and desserts, the Cabaret is the ideal meeting place for patrons attending Rep performances. You never know who you’ll see! For dinner reservations, call 414-224-9490.

Milwaukee Repertory Theater
CYRANO DE BERGERAC

By Edmond Rostand
Translated by Brian Hooker

Adapted and Directed by Sanford Robbins


FACT SHEET


THEATER: Quadracci Powerhouse Theater

DATES: September 5, 2007 – October 7, 2007

DESCRIPTION: What is this thing called love? For over a century this soaring story of passion, honor, romance and the heartbreak of unrequited love has celebrated the optimism and resilience of the human spirit like no other.

PERFORMANCE:

Wednesday 9/5/07 – 7:30 p.m. Preview
Thursday 9/6/07 – 7:30 p.m. Preview/Audio-Description
Friday 9/7/07 – 8:00 p.m. Opening
Saturday 9/8/07 – 4:00/8:00 p.m.
Sunday 9/9/07 – 2:00/7:00 p.m. 7:00 – Super Sunday

Tuesday 9/11/07 – 7:30 p.m. Pay-What-You-Can
Wednesday 9/12/07 – 1:30/7:30 p.m. 1:30 – Bus
Thursday 9/13/07 – 7:30 p.m. Theater Thursday/Talkback
Friday 9/14/07 – 8:00 p.m.
Saturday 9/15/07 – 4:00/8:00 p.m.
Sunday 9/16/07 – 7:00 p.m.

Tuesday 9/18/07 – 7:30 p.m.
Wednesday 9/19/07 – 7:30 p.m.
Thursday 9/20/07 – 7:30 p.m. Talkback
Friday 9/21/07 – 8:00 p.m.
Saturday 9/22/07 – 4:00/8:00 p.m.
Sunday 9/23/07 – 2:00/7:00 p.m.

Tuesday 9/25/07 – 6:30 p.m. Early Bird
Wednesday 9/26/07 – 7:30 p.m.
Thursday 9/27/07 – 7:30 p.m. Talkbck
Friday 9/28/07 – 8:00 p.m.
Saturday 9/29/07 – 4:00/8:00 p.m.
Sunday 9/30/07 – 2:00/7:00 p.m. 2:00 – Smoke-Free/Family

Tuesday 10/2/07 – 7:30 p.m. Audio Description
Wednesday 10/3/07 – 1:30/7:30 p.m.
Thursday 10/4/07 – 7:30 p.m. American Sign Language/Talkback
Friday 10/5/07 – 8:00 p.m.
Saturday 10/6/07 – 4:00/8:00 p.m.
Sunday 10/7/07 – 2:00 p.m. Captioned Theater/Close

TICKET PRICES:
PREVIEWS: $9.00 – $39.00
WEEKDAY/SUNDAY: $12.00 – $44.00
FRIDAY/SATURDAY: $15.00 – $56.00


TICKETS/INFORMATION: 414-224-9490 or buy tickets online at milwaukeerep.com

TICKET OFFICE LOCATION:
108 East Wells Street in Milwaukee’s Downtown Theater District

TICKET OFFICE HOURS: Mon – Fri, 12 pm - 6 pm on phones, 12 pm – curtain for window
Sat/Sun 12 pm – 6 pm on phones, 12 pm – curtain for window

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The Rep Ticket Office: 414-224-9490


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