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RADIO GOLF

by August Wilson
Now – March 28
Stiemke Theater
 
RADIO GOLF ‘comes home’ to
Timothy Douglas and The Rep.
Come join us in the Stiemke Theater for a truly momentous event:
August Wilson’s RADIO GOLF. We are proud to present the final
play in Wilson’s epic ten-play cycle on the African-American
experience, each set in a different decade of the 20th century. The
Rep is honored to welcome back frequent Rep collaborator Timothy
Douglas, to direct this historic production. Not only an accomplished
actor (you may have last seen him playing the Ghost of Christmas
Past in A CHRISTMAS CAROL this winter), Douglas is a distinguished
director as well. Recent Rep productions include TROUBLE IN MIND
and THE NIGHT IS A CHILD.
This is the fifth play of Wilson’s cycle that The Rep has
produced since 1989. Most recently, in the 2006/07 season, Douglas
brought us a beautifully-realized production of GEM OF THE OCEAN,
the first play of the cycle, set in 1904. Douglas has worked on many
of Wilson’s plays as both an actor and a director and is intimately
connected to Wilson, not only as a quintessential American playwright,
but indeed as a personal colleague. Douglas recalls some of his early
experiences with Wilson:
“I arrived at Yale School of Drama as a young acting student
the same time August Wilson arrived at Yale Rep as America’s
newest powerhouse voice of the theater. . . . Part of my responsibilities
as a student was understudying the premieres of the first three plays
in Wilson’s Twentieth-Century Cycle and so I got to be ‘in
the room’ during the development of MA RAINEY’S BLACK
BOTTOM, FENCES and JOE TURNER’S COME AND GONE.”
This working relationship went on to foster further collaboration.
In April, 2005, Douglas directed the world premiere of RADIO GOLF
at Yale Rep, where he worked directly with Wilson as the playwright
continued to develop the script. Douglas has gone on to direct productions
of THE PIANO LESSON, JOE TURNER’S COME AND GONE, FENCES and
JITNEY – all productions which Wilson himself attended.
Returning to RADIO GOLF nearly five years later serves as a homecoming
of sorts for Douglas: “It’s great to finally get to finish
what I began. By way of The Rep, RADIO GOLF has finally come back ‘home’ to
me, and I look forward to bringing it back to life with five of my
favorite and extraordinary actors.” Not only is the play familiar
territory for Douglas, but so is the cast, with whom he has worked
since the beginning of his directing career. Douglas describes the
group this way: “The entire ensemble of actors in this production
represents the best in the American Theater, and collectively count
among their credits dozens of award-winning regional theater performances,
a bevy of Broadway productions and countless film and television
appearances.” The cast features Tyrone Mitchell Henderson,
Kelly Taffe, Howard W. Overshown, William C. Mitchell and Doug Brown,
whom Rep audiences will remember from GEM OF THE OCEAN.
Set in 1997, RADIO GOLF delves into the complex world of Pittsburgh’s
black middle class, focusing on Harmond Wilks. An up-and-coming politician
and local businessman, Harmond is determined to revive his neighborhood,
the depressed Hill District, and to become Pittsburgh’s first
black mayor. However, when neighborhood legend Aunt Ester’s
house is scheduled to be demolished as a part of his redevelopment
plan, things no longer seem so simple. Conflicted, Harmond is caught
between the desires of those around him. His wife, Mame, has a surefire
plan to get him elected. His business partner, Roosevelt, tries to
move their plans forward at any cost, hungry to further his own career.
Aunt Ester’s son, Elder Joseph Barlow, and local handyman,
Sterling Johnson, attempt to protect the house, urging Harmond to
do what is right, rather than what will get him ahead.
In this powerful conclusion to Wilson’s ten-play cycle, difficult
questions arise surrounding the nature of success, what it means
to move forward and what it means to honor the past. An avid golfer,
Harmond believes: “You teach kids how to play golf and they
have all the rules they need to win at life.” But what kind
of game is golf? Do you need fancy equipment to play? Don’t
you at least need grass? Is it a cutthroat game, every man for himself?
Or is it a just game, where anyone can get ahead based on their skills
and perseverance?
Please join us for August Wilson’s riveting play which explores
these questions with insight, humor and emotional intensity.
Zoë Cohen, Literary Intern
THE REP IN DEPTH
Join us for The Rep In Depth, our lively informative half-hour talk
which starts 45 minutes before every performance in the Quadracci
Powerhouse Theater. This Rep In Depth will be led by DeRante Parker.
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