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Pearl Bailey . . . By Request

Story Concept by Roz White, Book by Roz White amd Thomas W Jones
II
January 8 - February 28
Stackner Cabaret

ON ACTRESS AND PLAYWRIGHT
ROZ WHITE
“I want audiences when they
come to see PEARL BAILEY . . . BY REQUEST to be swept away to a time
of elegance and class.”
–Roz White
When Rosalind “Roz” White discovered that she shared
a birthday (March 29) with Pearl Bailey, she felt a kinship with
the exuberant singer. They looked alike and also both spent part
of their childhood in Washington, DC. Ms. White decided to write
a piece to celebrate the life and work of the legendary performer.
Collaborating with Thomas W. Jones II, a talented performer in his
own right, they wrote PEARL BAILEY . . . BY REQUEST. The production
shares the story of the performer’s fascinating life working
in stage and film with many of Pearl Bailey’s most requested
songs. Songs featured in the production include: Baby it’s
Cold Outside, Takes Two to Tango, Too Close for Comfort and Bill
Bailey, as well as many more.
Roz White made her debut as a playwright with PEARL BAILEY . . .
BY REQUEST. Studying as an actress and singer, she attended The Duke
Ellington School of the Arts as well as Howard University in Washington,
DC. White’s thesis production, called THE WOMAN I AM, incorporated
six of her greatest influences, including Sarah Vaughn, Ma Rainey,
Bessie Smith and of course, Pearl Bailey, who White would eventually
play in her first production.
After graduating from Howard University, White spent three years
in New Orleans, pre-Hurricane Katrina, working in intimate settings
and cabaret-style clubs. There she learned the importance of connecting
with the audience and gained much of the experience needed to do
a show like PEARL BAILEY.
As an actress, White’s career continued to grow. She has played
Effie White in DREAMGIRLS, Mahalia Jackson in MAHALIA, Woman of the
World in BLUES IN THE NIGHT and Hanna in REJOICE. In 1996 she received
the Helen Hayes award for Outstanding Supporting Actress in a Resident
Musical for her work in BESSIE’S BLUES.
PEARL BAILEY made its debut at the MetroStage Theatre in Alexandria,
Virginia at the beginning of the 2008/09 season. White was given
positive reviews for the way she hindered her own voice and style
to more fully resemble Bailey herself, and for her explosive stage
persona. White’s other acting credits with MetroStage include
BRICKTOP, TWO QUEENS ONE CASTLE, THREE SISTAHS and COOL PAPA’S
PARTY.
The MetroWeekly, Washington DCs GLBT Newsmagazine, had this to say
about the production, “Gorgeously dressed and accessorized,
White employs a light touch throughout the entire production, gingerly
gliding through the Bailey songbook as well as her monologues. She
improvises here and there as befits Bailey, a Jazz Era great known
for her quick wit and love of music and the stage. She handles the
role with such aplomb, in fact, you’ll almost forget she’s
not Bailey. It’s a remarkable feat you’ll remember for
a long time to come.”
Join us in The Rep’s Stackner Cabaret in this rare opportunity
to spend a memorable evening with the “Ambassador of Love.”
AshLeigh Brown, PR/Marketing Intern
PEARL BAILEY – “THE AMBASSADOR OF LOVE”
Pearl ‘Pearlie Mae’ Bailey was an accomplished singer,
performer and actress. In her early days, she performed in vaudeville
and nightclubs, eventually making it to Broadway where she won a
Tony Award. After hitting Hollywood, Bailey appeared on several variety
shows and specials, winning her an Emmy Award and a show of her own:
The Pearl Bailey Show. During her acting career she also released
more than 20 records, gaining a top ten hit with Takes Two to Tango.
Later in her life she was awarded The Presidential Medal of Freedom
for her outstanding contribution to music in the United States.
Bailey was born in Newport News, Virginia on March 29, 1918. As
a teenager, she settled in Philadelphia with her brother, Bill Bailey,
who tap danced at the Pearl Theatre. She entered and won an amateur
contest there, going on to do the same at the famous Apollo Theater
in New York. Seeing this as a career move, Bailey joined the club
circuit, performing in small towns and eventually joining a U.S.O.
troupe. In 1945 Bailey joined Cab Calloway and his orchestra, establishing
her popularity as a singer.
In 1946 she first appeared on Broadway in the musical, ST. LOUIS
WOMAN, winning a Donaldson Award that year for “best newcomer
on Broadway.” She attracted the attention of Hollywood and
received roles in Carmen Jones with Dorothy Dandridge, Porgy and
Bess with Sidney Poitier and All the Fine Young Cannibals with Natalie
Wood. While still performing in nightclubs, Bailey had the highlight
of her career when she starred in an all-black cast of HELLO, DOLLY,
playing the title role in this production for over three years and
winning a 1968 Tony award.
Bailey’s likable personality and enjoyable performances made
her a household name. She performed for presidents Dwight D. Eisenhower,
Lyndon Johnson and Gerald Ford. Richard Nixon even dubbed her America’s “Ambassador
of Love” in 1970. Next to Bob Hope, she and her jazz drummer
husband, Louis Bellson, have had the most appearances at the White
House. She was a four-time public goodwill ambassador to the United
Nations, sang the National Anthem at Shea Stadium and received her
Bachelor’s Degree at the age of 67.
Karl Stark in the Philadelphia Inquirer once wrote “Bailey
. . . was a star of the old school, a performer who could wow you
with the expressive power of her art or bowl you over with the acuity
of her intellect. She was, first and foremost, a vaudevillian who
relished the intimacy of live performances.”
AshLeigh Brown, PR/Marketing Intern
Watch
Channel 10’s Black Nouveau program on Wednesday,
January 20 at 6:30 pm for a segmenton PEARL BAILEY
. . . BY REQUEST.

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